Thursday, April 04, 2024

Today is 04/04/2024, Post #2





by me, Kerry Burgess, 04/03/2024 5:54 PM

I'm watching the very suspenseful ending section of episode 5 and thinking of how eerily prescient were my thoughts a couple hours ago

Conscious thoughts had formed in my mind so eerily prescient of the dialog I am now hearing and watching in the video

This used to happen only in my sleeping-dreams

Now I am finding many instances while wide awake

And all of that would mean less than nothing if not for my original work code pattern

You lameoids have heard of such experiences from your equally lameoid friends and it was described by them to you as 'deja vu', an explanation you continue to accept because you're a lameoid and you have no capacity for independent-thought

Some lameoid you listen to tells you something and then you parrot it to any other lameoid you know

When in fact, 'deja vu' means nothing - other than you're a ignorant monkey. The human-brain processes information in one chamber, or side, of the brain and then there is an imperceptible delay as it is recognized by the other side of the brain. You're too ignorant to grasp your own galactic ignorance and you are easily dazzled by your own ignorance

Your life is nothing but your pathetic wishful-thinking

For me, this experience I carefully document

My best guess remains that - while an actual, real experience - it is supposed to be - somehow - actual influence

Somehow, I am being influenced because - someday in the future from now - I must make a decision. A decision I most probably would not have even considered as a choice if not for this influence of this present day










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by me, Kerry Burgess, 04/04/2024 08:14 AM

I wrote before about this scene and have referenced it many times

Wondering if he is actually hearing inside his head at that moment the sound of her voice. Or if the scene simply represents his recollection of an earlier sleeping-dream










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The Stand - complete edition, by Stephen King

(from internet transcript)

Chapter 21

Stu Redman was frightened.

He looked out the barred window of his new room in Stovington, Vermont, and what he saw was a small town far below, miniature gas station signs, some sort of mill, a main street, a river, the turnpike, and beyond the turnpike the granite backbone of far western New England—the Green Mountains.

He was frightened because this was more like a jail cell than a hospital room. He was frightened because Denninger was gone. He hadn’t seen Denninger since the whole crazy three-ring circus moved from Atlanta to here. Deitz was gone, too. Stu thought that maybe Denninger and Deitz were sick, perhaps dead already.

Somebody had slipped. Either that, or the disease that Charles D. Campion had brought to Arnette was a lot more communicable than anyone had guessed. Either way, the integrity of the Atlanta Plague Center had been breached, and Stu thought that everyone who had been there was now getting a chance to do a little firsthand research on the virus they called A-Prime









The Stand - complete edition, by Stephen King

(from internet transcript)

Chapter 21

If they were just going through the motions now, then he had become expendable. Being under detention was bad. Being under detention and being expendable… that was very bad.

He watched the six o’clock news very carefully every night now. The men who had attempted the coup in India had been branded “outside agitators” and shot. The police were still looking for the person or persons who had blown a power station in Laramie, Wyoming, yesterday. The Supreme Court had decided 6–3 that known homosexuals could not be fired from civil service jobs. And for the first time, there had been a whisper of other things.

AEC officials in Miller County, Arkansas, had denied there was any chance of a reactor meltdown. The atomic power plant in the small town of Fouke, about thirty miles from the Texas border, had been plagued with minor circuitry problems in the equipment that controlled the pile’s cooling cycle, but there was no cause for alarm. The army units in that area were merely a precautionary measure. Stu wondered what precautions the army could take if the Fouke reactor did indeed go China Syndrome. He thought the army might be in southwestern Arkansas for other reasons altogether. Fouke wasn’t all that far from Arnette.

Another item reported that an East Coast flu epidemic seemed to be in the early stages—the Russian strain, nothing to really worry about except for the very old and the very young. A tired New York City doctor was interviewed in a hallway of Brooklyn’s Mercy Hospital. He said the flu was exceptionally tenacious for Russian-A, and he urged viewers to get flu boosters. Then he suddenly started to say something else, but the sound cut off and you could only see his lips moving. The picture cut back to the newscaster in the studio, who said: “There have been some reported deaths in New York as a result of this latest flu outbreak, but contributing causes such as urban pollution and perhaps even the AIDS virus have been present in many of those fatal cases. Government health officials emphasize that this is Russian-A flu, not the more dangerous Swine flu. In the meantime, old advice is good advice, the doctors say: stay in bed, get lots of rest, drink fluids, and take aspirin for the fever.”

The newscaster smiled reassuringly… and off-camera, someone sneezed.

The sun was touching the horizon now, tinting it a gold that would turn to red and fading orange soon. The nights were the worst. They had flown him to a part of the country that was alien to him, and it was somehow more alien at night. In this early summer season the amount of green he could see from his window seemed abnormal, excessive, a little scary. He had no friends; as far as he knew all the people who had been on the plane with him when it flew from Braintree to Atlanta were now dead. He was surrounded by automatons who took his blood at gunpoint. He was afraid for his life, although he still felt fine and had begun to believe he wasn’t going to catch It, whatever It was.

Thoughtfully, Stu wondered if it would be possible to escape from here.









The Stand - complete edition, by Stephen King

(from internet transcript)

excerpts, Chapter 29

And then Stu did begin to run, turning from one corridor to another, becoming more and more convinced that there was no way out, at least not from this level. The echo of his footfalls chased him, as if either Elder or Vic had lived just long enough to put a squad of ghostly MPs on his trail. Then another fancy crowded that out, one he somehow associated with the queer dreams he had been having the last few nights. The idea grew so strong that he became afraid to turn around, afraid that if he did he would see a white-suited figure striding after him, a white-suited figure with no face but only blackness behind a Plexiglas plate. Some dreadful apparition, a hit-man from beyond sane time and space.

Panting, Stu rounded a corner, sprinted ten feet before he realized the corridor was a dead end, and crashed into a door with a sign over it. The sign read EXIT.

He pushed at the bar, convinced it would not move, but it did, and the door opened easily. He went down four steps to another door. To the left of this landing, more stairs went down into thick darkness. The top half of this second door was clear glass reinforced with crisscrossed safety wire. Beyond it was only the night, the beautiful mellow summer night, and all the freedom a man ever dreamed of.

Stu was still staring out, transfixed, when the hand slipped out of the darkness of the stairwell and grasped his ankle. A gasp tore at Stu’s throat like a thorn. He looked around, his belly a freezing floe of ice, and beheld a bloody, grinning face upturned in the darkness.

“Come down and eat chicken with me, beautiful,” it whispered in a cracked and dying voice. “It’s soooo dark—”

Stu screamed and tried to pull free. The grinning thing from the darkness held on, talking and grinning and chuckling. Blood or bile was trickling from the corners of its mouth. Stu kicked at the hand holding his ankle, then stomped it. The face hanging in the darkness of the stairwell disappeared. There was a series of thudding crashes… and then the screams began. Of pain or of rage, Stu could not tell. He didn’t care. He battered against the outside door with his shoulder. It banged open and he tottered out, whirling his arms to keep his balance. He lost it anyway and fell down on the cement path.

He sat up slowly, almost warily. Behind him, the screams had stopped. A cool evening breeze touched his face, dried the sweat on his brow. He saw with something very like wonder that there was grass, and flowerbeds. Night had never smelled as fragrantly sweet as this. A crescent moon rode the sky. Stu turned his face up to it thankfully, and then walked across the lawn toward the road which led to the town of Stovington below. The grass was dressed with dewfall. He could hear wind whispering in the pines.

“I’m alive,” Stu Redman said to the night. He began to cry. “I’m alive, thank God I’m alive, thank You, God, thank You, God, thank You—”

Tottering a little, he began to walk down the road.

Chapter 30









The Stand - complete edition, by Stephen King

(from internet transcript)

Chapter 37

He walked to the back of the clearing and rummaged there. A few moments later he came back with a wheelbarrow. He screwed the piano stool down to its lowest elevation, put it in, added his palette, the picnic cooler, and balanced precariously on top of everything else, his mediocre painting.

“You wheeled that all the way out here?” Stu asked.

“I wheeled it until I saw something I wanted to paint.









The Stand - complete edition, by Stephen King

(from internet transcript)

Chapter 37

But oddly, the thing his mind kept returning to was Glen Bateman’s dream, the man with no face on top of the high building—or the cliff-edge—the man with the red eyes, his back to the setting sun, looking restlessly to the east.

He woke up sometime before midnight, bathed in sweat, afraid he had screamed. But in the next room, Glen Bateman’s breathing was slow and regular, undisturbed, and in the hallway he could see Kojak sleeping with his head on his paws. Everything was picked out in moonlight so bright it was surreal.

When he woke, Stu had been up on his elbows, and now he lowered himself back to the damp sheet and put an arm over his eyes, not wanting to remember the dream but helpless to avoid it.

He had been in Stovington again. Elder was dead. Everyone was dead. The place was an echoing tomb. He was the only one alive, and he couldn’t find the way out. At first he tried to control his panic. Walk, don’t run, he told himself over and over, but soon he would have to run. His stride was becoming quicker and quicker, and the urge to look back over his shoulder and make sure that it was only the echoes behind him was becoming insuperable.

He walked past closed office doors with names written in black on milky frosted glass. Past an overturned gurney. Past the body of a nurse with her white skirt rucked up to her thighs, her blackened, grimacing face staring at the cold white inverted icecube trays that were the ceiling fluorescents.

At last he began to run.

Faster, faster, the doors slipping by him and gone, his feet pounding on the linoleum. Orange arrows oozing on white cinderblock. Signs. At first they seemed right: RADIOLOGY and CORRIDOR B To LABS and DO NOT PROCEED BEYOND THIS POINT WITHOUT VALID PASS. And then he was in another part of the installation, a part he had never seen and had never been meant to see. The paint on these walls had begun to peel and flake. Some of the fluorescents were out; others buzzed like flies caught in a screen. Some of the frosted glass office windows were shattered, and through the stellated holes he had been able to see wreckage and bodies in terrible positions of pain. There was blood. These people had not died of the flu. These people had been murdered. Their bodies had sustained punctures and gunshot wounds and the grisly traumas which could only have been inflicted by blunt instruments. Their eyes bulged and stared.

He plunged down a stopped escalator and into a long dark tunnel lined with tile. At the other end there were more offices, but now the doors were painted dead black. The arrows were bright red. The fluorescents buzzed and flickered. The signs read THIS WAY TO COBALT URNS and LASER ARMORY and SIDEWINDER MISSILES and PLAGUE ROOM. Then, sobbing with relief, he saw an arrow pointing around a right-angled turn, and the single blessed word above it: EXIT.

He went around the corner and the door was standing open. Beyond it was the sweet, fragrant night. He plunged toward the door and then, stepping into it, blocking his way, was a man in jeans and a denim jacket. Stu skidded to a stop, a scream locked in his throat like rusty iron. As the man stepped into the glow of the flickering fluorescents, Stu saw that there was only a cold black shadow where his face should have been, a blackness punched by two soulless red eyes. No soul, but a sense of humor. There was that; a kind of dancing, lunatic glee.

The dark man put out his hands, and Stu saw that they were dripping blood.

“Heaven and earth,” the dark man whispered from that empty hole where his face should have been. “All of heaven and earth.”

Stu had awakened.



- by me, Kerry Wayne Burgess, posted by me: 8:46 PM Pacific-time USA Thursday 04/04/2024