This Is What I Think.

Sunday, July 22, 2018

The Dark Tower




Stargate: The Movie (1994)


Doctor Daniel Jackson: The point is not who built them; the point is when they were built.










From: Best Buy [BestBuyInfo@emailinfo.bestbuy.com]

Sent: Wednesday, November 19, 2014 6:13 PM

To: Kerry Burgess

Subject: We've received your order

Thanks for your order

Hello Kerry,

Thank you! We've received your order. See your order status.

For your shipped items:

We will send tracking and ETA information once your order has shipped.

Thank you for shopping with us.

Order date: 11/19/2014

Pivothead Durango












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http://www.tv.com/shows/the-simpsons/treehouse-of-horror-vi-1419/trivia/

tv.com


The Simpsons Season 7 Episode 6

Treehouse of Horror VI

Aired Sunday 8:00 PM Oct 29, 1995 on FOX

Quotes


Reverend Lovejoy: Do you see a light, Homer?

Homer: (offscreen) Yes...

Reverend Lovejoy: Move into the light, my son.

(A buzzing sound is heard.)

Homer: (offscreen) OOOWWWW!!!










https://hvom.blogspot.com/2018/07/the-dark-tower-ii-drawing-of-three.html

Posted by Kerry Burgess

Homeless Veteran Of Microsoft

I am Kerry Burgess. This is what I think.

FRIDAY, JULY 20, 2018

The Dark Tower II: The Drawing of the Three

Posted by Kerry Burgess - H.V.O.M at 6:10 PM Thursday, December 30, 2010

My return in 1998 was different though. I returned but I am a composite version of Tom Reagan and Kerry Burgess. I am not as tall as Tom Reagan and I am as tall as Kerry Burgess but I do not have the physical scars of Kerry Burgess, such as the gunshot wound scar he had on his shoulder.

&&&
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The Dark Tower II: The Drawing of the Three

Stephen King

(from internet transcript)

&&&
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Roland sat awake and listened to voices in the night while the wind dried the tears on his cheeks.

Damnation?

Salvation?

The Tower.

He would come to the Dark Tower and there he would sing their names; there he would sing their names; there he would sing all their names.

The sun stained the east a dusky rose, and at last Roland, no longer the last gunslinger but one of the last three, slept and dreamed his angry dreams through which there ran only that one soothing blue thread:

There I will sing all their names!

- AFTERWORD

This completes the second of six or seven books which make up a long tale called The Dark Tower. The third, The Waste Lands, details half of the quest of Roland, Eddie, and Susannah to reach the Tower; the fourth, Wizard and Glass, tells of an enchantment and a seduction but mostly of those things which befell Roland before his readers first met him upon the trail of the man in black.

My surprise at the acceptance of the first volume of this work, which is not at all like the stories for which I am best known, is exceeded only by my gratitude to those who have read it and liked it. This work seems to be my own Tower, you know; these people haunt me, Roland most of all. Do I really know what that Tower is, and what awaits Roland there (should he reach it, and you must prepare yourself for the very real possibility that he will not be the one to do so)? Yes … and no. All I know is that the tale has called to me again and again over a period of seventeen years. This longer second volume, still leaves many questions unanswered and the story's climax far in the future, but I feel that it is a much more complete volume than the first.

And the Tower is closer.

Stephen King

December 1st, 1986










From 10/21/1993 ( premiere US TV series episode "The Simpsons"::"Rosebud" ) To 11/19/2014 is 7699 days

From 11/2/1965 ( my known birth date in Antlers Oklahoma USA as Kerry Burgess ) To 12/1/1986 is 7699 days



From 3/16/1991 ( my first successful major test of my ultraspace matter transportation device as Kerry Wayne Burgess the successful Ph.D. graduate ) To 11/19/2014 is 8649 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 7/8/1989 ( premiere US film "Knight & Daye" ) is 8649 days



From 4/6/1917 ( the United States Navy Cross medal first established ) To 11/19/2014 is 35656 days

35656 = 17828 + 17828

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 8/25/2014 ( construction begins in Spokane Valley on the Appleway Trail project ) is 17828 days



From 11/28/1954 ( Enrico Fermi deceased ) To 11/19/2014 is 21906 days

21906 = 10953 + 10953

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 10/29/1995 ( premiere US TV series episode "The Simpsons"::"Treehouse of Horror VI" ) is 10953 days



From 6/12/1981 ( premiere US film "Raiders of the Lost Ark" ) To 11/19/2014 is 12213 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 4/11/1999 ( premiere US TV series episode "The Simpsons"::"Mom and Pop Art" ) is 12213 days



From 7/16/2004 ( premiere US TV series "Stargate: Atlantis" ) To 11/19/2014 is 3778 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 3/7/1976 ( premiere US TV series episode "Nova"::"The Race for the Double Helix" ) is 3778 days



See also: http://hvom.blogspot.com/2016/11/stargate.html
https://hvom.blogspot.com/2018/07/the-dark-tower.html
Future updates possible by me










http://www.tv.com/shows/the-simpsons/rosebud-1370/trivia/

tv.com


The Simpsons Season 5 Episode 4

Rosebud

Aired Sunday 8:00 PM Oct 21, 1993 on FOX

Quotes


Ice Delivery Man: You've got to start charging more than a dollar a bag. We lost four more men on this expedition!

Apu: If you can think of a better way to get ice, I'd like to hear it.










http://www.imdb.com/title/tt0177842/quotes

IMDb


The Simpsons (TV Series)

Treehouse of Horror VI (1995)

Quotes


Prof. John Frink: But suppose we extend the square beyond the two dimensions of our own universe along the hypothetical Z-axis there.

[All gasp in astonishment]

Prof. John Frink: This forms the three-dimensional object known as a cube, or a frinkahedron, in honor of its discoverer.

Homer Simpson: Help me! Are you helping me or are you going on and on?

Chief Wiggum: Enough of your borax, Pointdexter! A man's life's at stake. We need action!

[Fires gun at portal]

Chief Wiggum: Take that, you lousy dimension!












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The Dark Tower II: The Drawing of the Three

Stephen King

(from internet transcript)

THE LADY OF SHADOWS

CHAPTER 1

DETTA AND ODETTA

8


Eddie nodded. That was what he thought, too. Poof! Gone like magic! Now ya see it, my friends, now ya don't. It was really no different than what would happen if the projectionist in a movie-theater were to draw a six-shooter and plug the projector, was it?

If you shot the projector, the movie stopped.

Eddie didn't want the picture to stop.

Eddie wanted his money's worth.

"You can go through by yourself," Eddie said slowly.

"Yes."

"Sort of."

"Yes."

"You wind up in her head. Like you wound up in mine.''

"Yes."

"So you can hitchhike into my world, but that's all."

Roland said nothing. Hitchhike was one of the words Eddie sometimes used that he didn't exactly understand … but he caught the drift.

"But you could go through in your body. Like at Balazar's." He was talking out loud but really talking to himself. "Except you'd need me for that, wouldn't you?"

"Yes."

"Then take me with you."

The gunslinger opened his mouth, but Eddie was already rushing on.

"Not now, I don't mean now," he said. "I know it would cause a riot or some goddam thing if we just … popped out over there." He laughed rather wildly. "Like a magician pulling rabbits out of a hat, except without any hat, sure I did.

We'll wait until she's alone, and - "

"No."

"I'll come back with you," Eddie said. "I swear it, Roland. I mean, I know you got a job to do, and I know I'm a part of it. I know you saved my ass at Customs, but I think I saved yours at Balazar's - now what do you think?"

"I think you did," Roland said. He remembered the way Eddie had risen up from behind the desk, regardless of the risk, and felt an instant of doubt.

But only an instant.

"So? Peter pays Paul. One hand washes the other. All I want to do is go back for a few hours. Grab some take-out chicken, maybe a box of Dunkin Donuts." Eddie nodded toward the doorway, where things had begun to move again. "So what do you say?"

"No," the gunslinger said, but for a moment he was hardly thinking about Eddie. That movement up the aisle - the Lady, whoever she was, wasn't moving the way an ordinary person moved - wasn't moving, for instance, the way Eddie had moved when Roland looked through his eyes, or (now that he stopped to think of it, which he never had before, any more than he had ever stopped and really noticed the constant presence of his own nose in the lower range of his peripheral vision) the way he moved himself. When one walked, vision became a mild pendulum: left leg, right leg, left leg, right leg, the world rocking back and forth so mildly and gently that after awhile - shortly after you began to walk, he supposed - you simply ignored it. There was none of that pendulum movement in the Lady's walk - she simply moved smoothly up the aisle, as if riding along tracks. Ironically, Eddie had had this same perception … only to Eddie it had looked like a SteadiCam shot. He had found this perception comforting because it was familiar.

To Roland it was alien










https://www.kxly.com/news/local-news/spokane-valley-begins-turning-dirt-on-appleway-trail-project_20161121081856578/177580108?utm_medium=twitter&utm_source=dlvr.it

KXLY 4 ABC Spokane


Local News

Spokane Valley begins turning dirt on Appleway Trail project

By: Casey Lund

Posted: Aug 29, 2014 04:56 PM PDT Updated: Nov 21, 2016 12:18 AM PST

SPOKANE VALLEY, Wash. - Earlier this week Spokane Valley started work on the Appleway Trail project, an effort to beautify a heavily traveled, undeveloped piece of land.

The property is a former railroad right of way near where Appleway Boulevard ends at University in Spokane Valley, and while the city wanted to develop it there was a catch: Spokane County owned the property.

Mayor Dean Grafos says it took some time and a lot of work to build a partnership between the city and the county to move the ball forward on the trail, which will run from University to Bowdish along the old Milwaukee railroad right of way.

The development will feature green spaces, a plaza, room for a community garden, safety crossings and an improvement in the quality of life improvement for residents living nearby.

It's also a positive example of city-county teamwork.

"It benefits both them and us and it also preserves this corridor if we need it for rapid transit or light rail or whatever in the future. So it's a win-win for the community and for the county," Grafos said.

Construction began on August 25 and eventually the city wants the trail to connect all the way to the trail systems in Liberty Lake.

An official groundbreaking ceremony will be held Sept. 17 at 4 p.m.





http://www.public.navy.mil/ia/Pages/ncdes.aspx

DEPARTMENT OF THE NAVY

UNITED STATES OF AMERICA


NAVY CROSS (NX)

BACKGROUND:

The Navy Cross was established by Act of Congress (Public Law 253, 65th Congress), approved on February 4, 1919. The Navy Cross has been in effect since April 6, 1917. The Navy Cross was designed by James Earl Fraser (1876-1953). Originally, the Navy Cross was lower in precedence than the Navy Distinguished Service Medal, because it was awarded for both combat heroism and for "other distinguished service." Congress revised this on 7 August 1942, making the Navy Cross a combat-only award and second only to the Medal of Honor. Since its creation, it has been awarded more than 6,300 times.

CRITERIA:

The Navy Cross may be awarded to any person who, while serving with the Navy or Marine Corps, distinguishes himself in action by extraordinary heroism not justifying an award of the Medal of Honor. The action must take place under one of three circumstances: while engaged in action against an enemy of the United States; while engaged in military operations involving conflict with an opposing foreign force; or, while serving with friendly foreign forces engaged in an armed conflict in which the United States is not a belligerent party. To earn a Navy Cross the act to be commended must be performed in the presence of great danger or at great personal risk and must be performed in such a manner as to render the individual highly conspicuous among others of equal grade, rate, experience, or position of responsibility. An accumulation of minor acts of heroism does not justify an award of the Navy Cross.

DESCRIPTION:

The Navy Cross is a modified cross patée one and a half inches wide (the ends of its arms are rounded whereas a conventional cross patée has arms that are straight on the end). There are four laurel leaves with berries in each of the re-entrant arms of the cross. In the center of the cross a sailing vessel is depicted on waves, sailing to the viewer's left. The vessel is a symbolic caravel of the type used between 1480 and 1500. Fraser selected the caravel because it was a symbol often used by the Naval Academy and because it represented both naval service and the tradition of the sea. The laurel leaves with berries refer to achievement. The ribbon is navy blue with a center stripe of white. The blue alludes to naval service and the white represents the purity of selflessness.










http://www.imdb.com/title/tt0177842/quotes

IMDb


The Simpsons (TV Series)

Treehouse of Horror VI (1995)

Quotes


Homer Simpson: This place looks expensive. I feel like I'm wasting a fortune just standing here. I better make the most of it.












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http://www.britannica.com/biography/Enrico-Fermi

Encyclopædia Britannica


Enrico Fermi

Italian-American physicist

Enrico Fermi, (born Sept. 29, 1901, Rome, Italy—died Nov. 28, 1954, Chicago, Ill., U.S.), Italian-born American scientist who was one of the chief architects of the nuclear age. He developed the mathematical statistics required to clarify a large class of subatomic phenomena, explored nuclear transformations caused by neutrons, and directed the first controlled chain reaction involving nuclear fission. He was awarded the 1938 Nobel Prize for Physics, and the Enrico Fermi Award of the U.S. Department of Energy is given in his honour. Fermilab, the National Accelerator Laboratory, in Illinois, is named for him, as is fermium, element number 100.

Early life and education

Fermi’s father, Alberto Fermi, was a chief inspector of the government railways; his mother was Ida de Gattis, a schoolteacher. In 1918 Enrico Fermi won a scholarship to the University of Pisa’s distinguished Scuola Normale Superiore, where his knowledge of recent physics benefited even the professors. After receiving a doctorate in 1922, Fermi used fellowships from the Italian Ministry of Public Instruction and the Rockefeller Foundation to study in Germany under Max Born, at the University of Göttingen, and in the Netherlands under Paul Ehrenfest, at the State University of Leiden.

European career

Fermi returned home to Italy in 1924 to a position as a lecturer in mathematical physics at the University of Florence. His early research was in general relativity, statistical mechanics, and quantum mechanics. Examples of gas degeneracy (appearance of unexpected phenomena) had been known, and some cases were explained by Bose-Einstein statistics, which describes the behaviour of subatomic particles known as bosons. Between 1926 and 1927, Fermi and the English physicist P.A.M. Dirac independently developed new statistics, now known as Fermi-Dirac statistics, to handle the subatomic particles that obey the Pauli exclusion principle; these particles, which include electrons, protons, neutrons (not yet discovered), and other particles with half-integer spin, are now known as fermions. This was a contribution of exceptional importance to atomic and nuclear physics, particularly in this period when quantum mechanics was first being applied.

This seminal work brought Fermi an invitation in 1926 to become a full professor at the University of Rome. Shortly after Fermi took up his new position in 1927, Franco Rasetti, a friend from Pisa and another superb experimentalist, joined Fermi in Rome, and they began to gather a group of talented students about them. These included Emilio Segrè, Ettore Majorana, Edoardo Amaldi, and Bruno Pontecorvo, all of whom had distinguished careers. Fermi, a charismatic, energetic, and seemingly infallible figure, clearly was the leader—so much so that his colleagues called him “the Pope.”

In 1929 Fermi, as Italy’s first professor of theoretical physics and a rising star in European science, was named by Italian Prime Minister Benito Mussolini to his new Accademia d’Italia, a position that included a substantial salary (much larger than that for any ordinary university position), a uniform, and a title (“Excellency”).

During the late 1920s, quantum mechanics solved problem after problem in atomic physics. Fermi, earlier than most others, recognized that the field was becoming exhausted, however, and he deliberately changed his focus to the more primitively developed field of nuclear physics. Radioactivity had been recognized as a nuclear phenomenon for almost two decades by this time, but puzzles still abounded. In beta decay, or the expulsion of a negative electron from the nucleus, energy and momentum seemed not to be conserved. Fermi made use of the neutrino, an almost undetectable particle that had been postulated a few years earlier by the Austrian-born physicist Wolfgang Pauli, to fashion a theory of beta decay in which balance was restored. This led to recognition that beta decay was a manifestation of the weak force, one of the four known universal forces (the others being gravitation, electromagnetism, and the strong force).

In 1933 the French husband-and-wife team of Frédéric and Irène Joliot-Curie discovered artificial radioactivity caused by alpha particles (helium nuclei). Fermi quickly reasoned that the neutral neutron, found a year earlier by the English physicist James Chadwick, would be an even better projectile with which to bombard charged nuclei in order to initiate such reactions. With his colleagues, Fermi subjected more than 60 elements to neutron bombardment, using a Geiger-Müller counter to detect emissions and conducting chemical analyses to determine the new radioactive isotopes produced. Along the way, they found by chance that neutrons that had been slowed in their velocity often were more effective. When testing uranium they observed several activities, but they could not interpret what occurred. Some scientists thought that they had produced transuranium elements, namely elements higher than uranium at atomic number 92. The issue was not resolved until 1938, when the German chemists Otto Hahn and Fritz Strassmann experimentally, and the Austrian physicists Lise Meitner and Otto Frisch theoretically, cleared the confusion by revealing that the uranium had split and the several radioactivities detected were from fission fragments.

Fermi was little interested in politics, yet he grew increasingly uncomfortable with the fascist politics of his homeland. When Italy adopted the anti-Semitic policies of its ally, Nazi Germany, a crisis occurred, for Fermi’s wife, Laura, was Jewish. The award of the 1938 Nobel Prize for Physics serendipitously provided the excuse for the family to travel abroad, and the prize money helped to establish them in the United States.

American career

Settling first in New York City and then in Leonia, N.J., Fermi began his new life at Columbia University, in New York City. Within weeks of his arrival, news that uranium could fission astounded the physics community. Scientists had known for many years that nuclei could disgorge small chunks, such as alpha particles, beta particles, protons, and neutrons, either in natural radioactivity or upon bombardment by a projectile. However, they had never seen a nucleus split almost in two. The implications were both exciting and ominous, and they were recognized widely. When uranium fissioned, some mass was converted to energy, according to Albert Einstein’s famous formula E = mc2. Uranium also emitted a few neutrons in addition to the larger fragments. If these neutrons could be slowed to maximize their efficiency, they could participate in a controlled chain reaction to produce energy; that is, a nuclear reactor could be built. The same neutrons traveling at their initial high speed could also participate in an uncontrolled chain reaction, liberating an enormous amount of energy through many generations of fission events, all within a fraction of a second; that is, an atomic bomb could be built.

Working primarily with the Hungarian-born physicist Leo Szilard, Fermi constructed experimental arrangements of neutron sources and pieces of uranium. They sought to determine the necessary size of a structure, the best material to use as a moderator to slow neutrons, the necessary purity of all components (so neutrons would not be lost), and the best substance for forming control rods that could absorb neutrons to slow or stop the reaction. Fermi visited Washington, D.C., to alert the U.S. Navy about their research, but his guarded enthusiasm led only to a tiny grant. It was left to Einstein’s letter to U.S. Pres. Franklin D. Roosevelt about the potential of an atomic bomb, in the summer of 1939, to initiate continuing government interest, and even that grew slowly.

When the United States entered World War II in December 1941, nuclear research was consolidated to some degree. Fermi had built a series of “piles,” as he called them, at Columbia. Now he moved to the University of Chicago, where he continued to construct piles in a space under the stands of the football field. The final structure, a flattened sphere about 7.5 metres (25 feet) in diameter, contained 380 tons of graphite blocks as the moderator and 6 tons of uranium metal and 40 tons of uranium oxide as the fuel, distributed in a careful pattern. The pile went “critical” on Dec. 2, 1942, proving that a nuclear reaction could be initiated, controlled, and stopped. Chicago Pile-1, as it was called, was the first prototype for several large nuclear reactors constructed at Hanford, Wash., where plutonium, a man-made element heavier than uranium, was produced. Plutonium also could fission and thus was another route to the atomic bomb.

In 1944 Fermi became an American citizen and moved to Los Alamos, N.M., where physicist J. Robert Oppenheimerled the Manhattan Project’s laboratory, whose mission was to fashion weapons out of the rare uranium-235 isotope and plutonium. Fermi was an associate director of the lab and headed one of its divisions. When the first plutonium bomb was tested on July 16, 1945, near Alamogordo, N.M., Fermi ingeniously made a rough calculation of its explosive energy by noting how far slips of paper were blown from the vertical.

After the war ended, Fermi accepted a permanent position at the University of Chicago, where he influenced another distinguished group of physicists, including Harold Agnew, Owen Chamberlin, Geoffrey Chew, James Cronin, Jerome Friedman, Richard Garwin, Murray Gell-Mann, Marvin Goldberger, Tsung-Dao Lee, Jack Steinberger, and Chen Ning Yang. As in Rome, Fermi recognized that his current pursuits, now in nuclear physics, were approaching a condition of maturity. He thus redirected his sights on reactions at higher energies, a field called elementary particle physics, or high-energy physics.

Since the war, science had been recognized in the United States as highly important to national security. Fermi largely avoided politics, but he did agree to serve on the General Advisory Committee (GAC), which counseled the five commissioners of the Atomic Energy Commission. In response to the revelation in September 1949 that the Soviet Union had detonated an atomic bomb, many Americans urged the government to try to construct a thermonuclear bomb, which can be orders of magnitude more powerful. GAC was publicly unanimous in opposing this step, mostly on technical grounds, with Fermi and Isidor Rabi going further by introducing an ethical question into so-called “objective” advice. Such a bomb, they wrote, “becomes a weapon which in practical effect is almost one of genocide…. It is necessarily an evil thing considered in any light.” U.S. Pres. Harry S. Truman decided otherwise, and a loyal Fermi went for a time back to Los Alamos to assist in the development of fusion weapons, however with the hope that they might prove impossible to construct.

Fermi primarily investigated subatomic particles, particularly pi mesons and muons, after returning to Chicago. He was also known as a superb teacher, and many of his lectures are still in print. During his later years he raised a question now known as the Fermi paradox: “Where is everybody?” He was asking why no extraterrestrial civilizations seemed to be around to be detected, despite the great size and age of the universe. He pessimistically thought that the answer might involve nuclear annihilation.










http://www.tv.com/shows/the-simpsons/treehouse-of-horror-vi-1419/

tv.com


The Simpsons Season 7 Episode 6

Treehouse of Horror VI

Aired Sunday 8:00 PM Oct 29, 1995 on FOX

AIRED: 10/29/95










http://www.tv.com/shows/the-simpsons/treehouse-of-horror-vi-1419/trivia/

tv.com


The Simpsons Season 7 Episode 6

Treehouse of Horror VI

Aired Sunday 8:00 PM Oct 29, 1995 on FOX

Quotes


Kent Brockman: Good morning, everybody. Panic is gripping Springfield as giant advertising mascots rampage through the city. Perhaps it's part of some daring new ad campaign, but what new product could justify such carnage?










http://www.tv.com/shows/the-simpsons/treehouse-of-horror-vi-1419/trivia/

tv.com


The Simpsons Season 7 Episode 6

Treehouse of Horror VI

Aired Sunday 8:00 PM Oct 29, 1995 on FOX

Quotes


Paul Anka: (singing) To stop these monsters 1-2-3/ Here's a fresh new way that's trouble free/ It's got Paul Anka's guarantee...

Lisa: (talking) Guarantee void in Tennesee.

Paul Anka / Lisa: (singing) Just don't look! Just don't look! Just don't look! Just don't look!










https://www.imdb.com/title/tt0082971/releaseinfo

IMDb


Raiders of the Lost Ark (1981)

Release Info

USA 12 June 1981










http://www.tv.com/shows/the-simpsons/mom-and-pop-art-1507/

tv.com


The Simpsons Season 10 Episode 19

Mom and Pop Art

Aired Sunday 8:00 PM Apr 11, 1999 on FOX

AIRED: 4/11/99










http://www.simpsonsarchive.com/episodes/3F04.html

Treehouse of Horror VI [ The Simpsons ]


Homer drives back home to get some equipment, then returns to the Lard Lad Donuts boy. He listens to the radio on the way as the weather turns thunderous.



http://www.tv.com/shows/the-simpsons/treehouse-of-horror-vi-1419/trivia/

tv.com


The Simpsons Season 7 Episode 6

Treehouse of Horror VI

Aired Sunday 8:00 PM Oct 29, 1995 on FOX

Quotes


Radio: Astronomers from Tacoma to Vladivostok have just reported an ionic disturbance in the vicinity of the Van Allen belt. Scientists are recommending that all necessary precautions be taken.

Homer: (scoffs) Eggheads… What do they know?










http://www.tv.com/shows/the-simpsons/treehouse-of-horror-vi-1419/trivia/

tv.com


The Simpsons Season 7 Episode 6

Treehouse of Horror VI

Aired Sunday 8:00 PM Oct 29, 1995 on FOX

Quotes


Homer: (places a dollar on the counter) I'd like a colossal donut, please. Just like the one on the sign.

(Homer is given a regular-sized donut.)

Homer: D'oh, nuts! That's false advertising!

Squeaky-Voiced Teen: Sorry, sir. No refunds.

Homer: (slowly) I paid for a colossal donut, and I'm gonna get a colossal donut! (walks away)

Squeaky-Voiced Teen: You don't scare us










http://www.imdb.com/title/tt0082971/quotes

IMDb


Raiders of the Lost Ark (1981)

Quotes


Maj. Eaton: [sees a picture of the Ark with rays of power coming out of it] Good God!

Brody: Yes, that's what the Hebrews thought.










http://www.tv.com/shows/the-simpsons/mom-and-pop-art-1507/trivia/

tv.com


The Simpsons Season 10 Episode 19

Mom and Pop Art

Aired Sunday 8:00 PM Apr 11, 1999 on FOX

Quotes


Marge: I just can't believe people are paying millions of dollars for something some hillbilly dug out of the trash.

Cletus: Hey, I done studied for years in getting over that junkyard fence! Then I learnt the gate was open.










http://www.spokesman.com/stories/2014/jul/26/on-air-cheer-purveyor-shelly-monahan-bids/

The Spokesman-Review


LOCAL NEWS

SATURDAY, JULY 26, 2014

On-air cheer purveyor Shelly Monahan bids farewell at end of KHQ morning newscast

By Jim Camden

“Sunshine” Shelly Monahan called it quits Friday at the end of KHQ’s early morning newscast, putting a wrap – for now, at least – on nearly 40 years in broadcasting, many of them in her hometown.

For almost 14 years Monahan has been the morning face of local news in the station’s 5 a.m. to 7 a.m. time slot, a bright-eyed newscaster to bleary-eyed parents getting kids ready for school and harried commuters getting ready for work.

“It’s a blast doing morning television, to be one of the first things a viewer checks out in the morning,” she said. Not such a blast: Getting up by 2 a.m. to get to the studio, which means going to bed in the early evening or being sleep deprived the next day.

Longtime Spokane residents who don’t get up that early – or who don’t turn on the television first thing – might remember Monahan as the weather reporter at KREM-TV in the early 1980s. Even older residents might remember her as Sunshine Shelly, the night disc jockey on KJRB in the late 1970s, where she offered music and patter she called “sunshine in the nighttime” starting at age 17.

Although she left radio for television more than 30 years ago, people in Spokane have long memories. “Every day, somebody calls me Sunshine Shelly,” she said.

Many Spokane residents also remember that Monahan was one of the notorious South Hill rapist’s victims, attacked when she was leaving the station after a shift one night. It’s something that came up regularly as Kevin Coe, who was convicted of another one of those rapes, was tried and then retried, sentenced and later ordered held as a sexually violent predator in a 2008 civil commitment trial.

Monahan vowed to be a survivor, not a victim. She testified at that commitment trial that Coe once called her from prison and threatened to kill her when he got out. She also got numerous letters, calls and emails of support. She said she’d pray for Coe, who could spend the rest of his life incarcerated, but she thought it was time to close that chapter and move on.

Monahan has moved on a few times. She moved from Spokane in 1986 after her fiancé, mountain climber Kim Momb, died in an avalanche. She went first to Sacramento, then to Seattle and eventually Chicago. But even while she was doing weather in those cities, Sunshine Shelly was still a presence on Spokane television, pitching cars for a local dealer.

After three years working in Chicago, Monahan moved back to Spokane for a chair at the early morning desk at KHQ, which had the top show in that time slot and still does. (The station is owned by Cowles Co., which also owns the company that publishes The Spokesman-Review.) It allowed her to be home in the afternoon when her children’s school day ended, go to their sports events and cook dinner. One of the things Monahan said she liked best about the morning time slot was the chance to go out and meet people after the show was over or connect with them through social media. Her KHQ Facebook page has about 15,000 friends.

About seven years ago, the station teamed up with Craven’s Coffee to deliver coffee and treats to local charities and nonprofits. Monahan and Simon Craven Thompson, founder of the coffee roasting company, made the monthly deliveries.

Thompson quickly discovered Monahan was “instantly recognizable and beloved.” Invariably someone at an office where coffee and treats were being delivered would mention listening to Sunshine Shelly on the radio.

“The person you see on air is the person you see when the camera is not on,” Thompson said. “It’s not an act. She has the Spokane community in her DNA.”

Now 55, Monahan is moving on from television, in what she calls a mutual decision between her and the station. She and husband Steve Cain are “empty nesters,” with the youngest of their four children in college. They’d had conversations about what she would do “after television,” and she plans to study for the real estate exam and join Cain as a Realtor.

But she won’t rule out the possibility of coming back on the air, on radio if not on television, at some future date. Television anchors typically have a non-compete clause in their contract that keeps them from going to work at another station in the city for at least six months, so any talk of future broadcasting prospects will have to wait. In the meantime, though, Monahan has a fairly simple goal.

“I’m looking forward to being able to sleep in.”










http://www.tv.com/shows/knight-and-daye/knight-and-daye-112175/

tv.com


Knight & Daye Season 1 Episode 1

Knight & Daye

Aired Monday 8:00 PM Jul 08, 1989 on NBC

AIRED: 7/8/89










http://www.tv.com/shows/the-simpsons/treehouse-of-horror-vi-1419/trivia/

tv.com


The Simpsons Season 7 Episode 6

Treehouse of Horror VI

Aired Sunday 8:00 PM Oct 29, 1995 on FOX

Quotes


Homer: Oh, there's so much I don't know about astrophysics.












https://en.wikipedia.org/wiki/File:Roland_Deschain_by_Michael_Whelan.png


File:Roland Deschain by Michael Whelan.png

From Wikipedia, the free encyclopedia

Description

Roland Deschain as illustrated by artist Michael Whelan

Source

Artwork is from The Dark Tower VII: The Dark Tower by Stephen King












the-mist_00h01m30s.jpg





the-mist_00h01m42s.jpg










The Dark Tower II: The Drawing of the Three

Stephen King

(from internet transcript)


PRISONER

CHAPTER 1

THE DOOR


The gunslinger began to walk.

4

He walked for three hours. He fell twice, and the second time he did not believe he would be able to get up again. Then a wave came toward him, close enough to make him remember his guns, and he was up before he knew it, standing on legs that quivered like stilts.

He thought he had managed about four miles in those three hours. Now the sun was growing hot, but not hot enough to explain the way his head pounded or the sweat pouring down his face; nor was the breeze from the sea strong enough to explain the sudden fits of shuddering which sometimes gripped him, making his body lump into gooseflesh and his teeth chatter.

Fever, gunslinger, the man in black tittered. What's left inside you has been touched afire.

The red lines of infection were more pronounced now; they had marched upward from his right wrist halfway to his elbow.

He made another mile and drained his waterbag dry. He tied it around his waist with the other. The landscape was monotonous and unpleasing. The sea to his right, the mountains to his left, the gray, shell-littered sand under the feet of his cut-down boots. The waves came and went. He looked for the lobstrosities and saw none. He walked out of nowhere toward nowhere, a man from another time who, it seemed, had reached a point of pointless ending.

Shortly before noon he fell again and knew he could not get up. This was the place, then. Here. This was the end, after all.

On his hands and knees, he raised his head like a groggy fighter … and some distance ahead, perhaps a mile, perhaps three (it was difficult to judge distances along the unchanging reach of the strand with the fever working inside him, making his eyeballs pulse in and out), he saw something new. Something which stood upright on the beach.

What was it?

(three)

Didn't matter.

(three is the number of your fate)

The gunslinger managed to get to his feet again. He croaked something, some plea which only the circling sea-birds heard (and how happy they would be to gobble my eyes from my head, he thought, how happy to have such a tasty bit!), and walked on, weaving more seriously now, leaving tracks behind him that were weird loops and swoops.

He kept his eyes on whatever it was that stood on the strand ahead. When his hair fell in his eyes he brushed it aside. It seemed to grow no closer. The sun reached the roof of the sky, where it seemed to remain far too long. Roland imagined he was in the desert again, somewhere between the last out-lander's hut

(the musical fruit the more you eat the more you toot)

and the way-station where the boy (your Isaac) had awaited his coming.

His knees buckled, straightened, buckled, straightened again. When his hair fell in his eyes once more he did not bother to push it back; did not have the strength to push it back. He looked at the object, which now cast a narrow shadow back toward the upland, and kept walking.

He could make it out now, fever or no fever.

It was a door.

Less than a quarter of a mile from it, Roland's knees buckled again and this time he could not stiffen their hinges. He fell, his right hand dragged across gritty sand and shells, the stumps of his fingers screamed as fresh scabs were scored away. The stumps began to bleed again.

So he crawled. Crawled with the steady rush, roar, and retreat of the Western Sea in his ears. He used his elbows and his knees, digging grooves in the sand above the twist of dirty green kelp which marked the high-tide line. He supposed the wind was still blowing - it must be, for the chills continued to whip through his body - but the only wind he could hear was the harsh gale which gusted in and out of his own lungs.

The door grew closer.

Closer.

At last, around three o'clock of that long delirious day, with his shadow beginning to grow long on his left, he reached it. He sat back on his haunches and regarded it wearily.

It stood six and a half feet high and appeared to be made of solid ironwood, although the nearest ironwood tree must grow seven hundred miles or more from here. The doorknob looked as if it were made of gold, and it was filigreed with a design which the gunslinger finally recognized: it was the grinning face of the baboon.

There was no keyhole in the knob, above it, or below it.

The door had hinges, but they were fastened to nothing - or so it seems, the gunslinger thought. This is a mystery, a most marvellous mystery, but does it really matter? You are dying. Your own mystery - the only one that really matters to any man or woman in the end - approaches.

All the same, it did seem to matter.

This door. This door where no door should be. It simply stood there on the gray strand twenty feet above the high tide line, seemingly as eternal as the sea itself, now casting the slanted shadow of its thickness toward the east as the sun westered.

Written upon it in black letters two-thirds of the way up, written in the high speech, were two words:

THE PRISONER

A demon has infested him. The name of the demon is HEROIN.

The gunslinger could hear a low droning noise. At first he thought it must be the wind or a sound in his own feverish head, but he became more and more convinced that the sound was the sound of motors ... and that it was coming from behind the door.

Open it then. It's not locked. You know it's not locked.

Instead he tottered gracelessly to his feet and walked above the door and around to the other side.

There was no other side.

Only the dark gray strand, stretching back and back. Only the waves, the shells, the high-tide line, the marks of his own approach - bootprints and holes that had been made by his elbows. He looked again and his eyes widened a little. The door wasn't here, but its shadow was.



- posted by Kerry Burgess 05:15 AM Pacific Time Spokane Valley Washington USA Sunday 22 July 2018