Sunday, May 01, 2016

The Blue Planet - A Close Encounter with Neptune




http://www.oocities.org/elzj78/bsgminiseries.html


BATTLESTAR GALACTICA: Miniseries (2003)


Helo: Hey. Aren't you Gaius Baltar?

Baltar: Yeah, I haven't done anything. This lady has ticket number 47. This lady here.

Helo: Could you come up here, please.

Baltar: Here.

Boomer: (to Helo) What are you doing?

Helo: (taking her hand) I'm giving up my seat.

Boomer: Like hell.

Helo: A civilian should take my place.

Boomer: You're going.

Helo: Look at those clouds. Sharon, look at those clouds, and tell me this isn't the end of everything.

Boomer: Helo...

Helo: Whatever future is left is gonna depend on whoever survives. Give me one reason why I'm a better choice than one of the greatest minds of our time.

Boomer: Helo-

Helo: You can do this without me. I know you can, you've proven it.

Boomer: Get on board. (They get on board; the crowd objects.)



































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From 5/4/2005 ( the incident at the police department City of Kent Washington State after my voluntary approach to report material criminal activity directed against my person and I am secretly drugged against my consent ) To 11/19/2014 is 3486 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 5/20/1975 ( Tahmoh Penikett ) is 3486 days



From 12/8/2003 ( premiere US TV miniseries "Battlestar Galactica" ) To 11/19/2014 is 3999 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 10/14/1976 ( Gerald Ford - Remarks Upon Presenting the Presidential Medal of Freedom to Martha Graham ) is 3999 days



From 1/17/1991 ( the date of record of my United States Navy Medal of Honor as Kerry Wayne Burgess chief warrant officer United States Marine Corps circa 1991 also known as Matthew Kline for official duty and also known as Wayne Newman for official duty ) To 11/19/2014 is 8707 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 9/4/1989 ( Newsweek: The Blue Planet - A Close Encounter with Neptune ) is 8707 days



From 1/17/1991 ( RACKETEER INFLUENCED AND CORRUPT ORGANIZATIONS US Title 18 - the Persian Gulf War begins as scheduled severe criminal activity against the United States of America ) To 11/19/2014 is 8707 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 9/4/1989 ( Newsweek: The Blue Planet - A Close Encounter with Neptune ) is 8707 days



From 3/16/1991 ( my first successful major test of my ultraspace matter transportation device as Kerry Wayne Burgess the successful Ph.D. graduate Columbia South Carolina ) To 11/19/2014 is 8649 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 7/8/1989 ( premiere US film "Knight & Daye" ) is 8649 days



From 5/7/1992 ( the first launch of the US space shuttle Endeavour orbiter vehicle mission STS-49 includes me Kerry Wayne Burgess the United States Marine Corps officer and United States STS-49 pilot astronaut ) To 11/19/2014 is 8231 days

From 11/2/1965 ( my birth date in Antlers Oklahoma USA and my birthdate as the known official United States Marshal Kerry Wayne Burgess and active duty United States Marine Corps officer ) To 5/16/1988 ( premiere US TV series episode "Star Trek: The Next Generation"::"The Neutral Zone" ) is 8231 days



[ See also: http://hvom.blogspot.com/2015/10/cant-make-up-this-stuff-part-2.html ]
[ See also: http://hvom.blogspot.com/2016/05/the-blue-planet-close-encounter-with.html ]










http://www.chakoteya.net/NextGen/126.htm

The Neutral Zone [ Star Trek: The Next Generation ]

Stardate: 41986.0

Original Airdate: 16 May, 1988


[Cryo chamber]

(This module of the ship contains frost-covered capsules in groups of three, both sides of the passageway. Data scrapes the frost off the first to view a skull)

DATA: The seal was broken and the environment has been corrupted.

WORF: Here's another.

DATA: This one is empty.

WORF: Commander, look at this.

(They look at the face of a woman. Other capsules reveal two men still intact)

WORF: Were they frozen for an extended journey?

DATA: If that were the purpose, there would be evidence of a more sophisticated monitoring system. These containers were designed solely for refrigeration.










http://www.chakoteya.net/NextGen/126.htm

The Neutral Zone [ Star Trek: The Next Generation ]

Stardate: 41986.0

Original Airdate: 16 May, 1988


[Bridge]

LAFORGE: Captain, I have plotted a course to intercept the Charleston, but they've just informed me that they'll be making an extended stop at Arloff Nine.

PICARD: Your point, Mister La Forge?

LAFORGE: Well, at warp eight, we could have our guests at Starbase Thirty Nine Sierra in five days. Take months off their journey.

PICARD: But they'll benefit from the extended time. It will allow them to acclimate before returning to Earth.

RIKER: It's a pity we can't take them ourselves. Having them on board is like a visit from the past.

PICARD: That would take us in the wrong direction. Our mission is to go forward, and it's just begun. Set velocity. Warp six, Mister La Forge.

LAFORGE: Aye, sir. Warp six.











































http://www.amazon.com/Newsweek-Magazine-September-1989-Planet/dp/B0039R2DOC

amazon.com


Newsweek Magazine September 4, 1989 (The Blue Planet : A Close Encounter with Neptune, Volume CXIV, No. 10) Single Issue Magazine – 1989

by Richard M Smith (Editor)










http://www.oocities.org/elzj78/bsgminiseries.html


BATTLESTAR GALACTICA: Miniseries (2003)


Helo: Oh, frak.

Boomer: What?

Helo: Check the screen ahead.

Boomer: Guess we found the main fight.

Helo: Missile, lock!

Boomer: We've got one left. (They fire it; missile explodes, but some shrapnel hits the ship. It rips through the hull and catches Helo in the leg.)

Helo: Ahh!

Boomer: We're hit!

Helo: No, really?

Boomer: Helo. (He seals the hole.) Okay? Are you okay?

Helo: Present.

Boomer: Stay with me. Okay, we have a fuel leak. We have to put it down and repair it. Nearest world is Caprica.

Helo: (bandaging his leg) Lot of company between us and there.

Boomer: Yeah. (shuts off the power)

Helo: So we're cruising?

Boomer: Best way to avoid attracting attention. No power signature, go in a straight line. Unless somebody actually gets close enough to see us, we just look like a chunk of debris on the sensors. I think we have enough inertia to make it to Caprica's ionosphere. Then we power up, find a place to land.

Helo: Nice. Nice thinkin' there.










http://www.tv.com/shows/battlestar-galactica/battlestar-galacticathe-mini-series-1603714/

tv.com


Battlestar Galactica Episode 1

Battlestar Galactica:The Mini-Series

AIRED: 12/8/03










http://www.presidency.ucsb.edu/ws/index.php?pid=6466

The American Presidency Project

Gerald Ford

XXXVIII President of the United States: 1974 - 1977

900 - Remarks Upon Presenting the Presidential Medal of Freedom to Martha Graham.

October 14, 1976

Martha and distinguished guests:

It's wonderful to have you here tonight. And let me say at the outset, I apologize for being a little late. I had a friendly engagement with some of my friends from the press here. [Laughter]

But it's nice to have you here. And particularly in this Bicentennial Year, I think each of us has celebrated the spirit and the vitality of the United States. And the person we are honoring tonight, Martha Graham, has been doing that for as long as most of us can remember.

When Martha Graham began her career in modern dance--and I have become a better authority on it since I married Betty--[laughter]--she has not only raised people's eyebrows but she has raised sights. A true pioneer, she continually broke new ground and challenged old assumptions.

Her innovations were so original that one startled traditionalist was reported to have said, "How long do you intend, Martha, to keep this up?" I think today America is very thankful that she is still keeping it up, and we congratulate her.

Martha Graham has not only expanded the horizons of modern dance but she also moved inward to convey the deepest types of emotion. In doing so, she created what one critic labeled, and I quote, "an original way of communication." Long before the phrase "body language," Martha, entered our vocabulary, Martha Graham was using the human form to express human feelings.

Martha Graham's name, we all recognize, has become synonymous with modern dance. In addition to her work as a performer and a choreographer, she has provided inspiration and counseling to generations of young people, including Miss Betty Bloomer of Grand Rapids, Michigan. [Laughter]

Her pupils learn that self-discipline is not an obstacle to creativity, but a vehicle; that hard work does not distract from inspiration, but rather allows it to reach its fullest dimension. And most of all, they learn to meet a situation with courage and complete honesty.

Over the years as a great dancer, Martha Graham has received many, many awards. Tonight, she receives an award as a truly great American. Her visits abroad have given the word real meaning--"ambassador." She has shown very clearly to all the world what is possible when personal genius is allowed to flourish under artistic and political freedom.

In America the arts have blossomed, and we are justly proud of the great strides that we have made. Last year in the arena of dance alone, there were more than four times as many professional dance companies as there were in 1965.

But the continued survival and the continued growth of the arts in America requires more than just the genius of the artist. It also requires the foresight, the generosity of both public and private sectors in order to have adequate support.

Tonight, I take pleasure in announcing that I intend to seek full funding for the Cultural Challenge Grant program over the next 3 years. This will provide $12 million in new Federal moneys for the arts next year and approximately $50 million over the next 3 years. Because these grants will be made on the basis of one Federal dollar for every three raised from other sources, it can serve to generate $200 million in new support for the arts.

Many, many people in this audience tonight were instrumental in providing the financial support that enabled Martha Graham's dance troupe to inspire America and truly to inspire the world. Let me assure you that we in the Federal Government are going to do our part, Martha, to encourage the Martha Grahams of the future.

Tonight, however, there is only one Martha Graham and all of America is very, very proud of her. And now, Martha, would you please join me here.

Martha, it gives me a great deal of pleasure to present to you one of our Nation's highest honors, the Medal of Freedom. And let me read, if I might, the citation before I actually put the sash in the appropriate place. The citation reads as follows:

[At this point, the President read the citation, the text of which follows:]

THE PRESIDENT OF THE UNITED STATES
OF AMERICA
AWARDS THIS
PRESIDENTIAL MEDAL OF FREEDOM
WITH DISTINCTION
TO
MARTHA GRAHAM

Dancer, teacher, and choreographer, Martha Graham has captivated the world with her magic and has left a legacy of imagination with all who have witnessed her talent. Her energy, creativity and daring have opened new doors of expression in dance. Her followers and friends adore her, and her country, the United States of America, is proud to proclaim her a brilliant star and a National treasure.

Martha and I, as well as Betty, decided that we wouldn't try to pin this medal on her tonight, but we did think you might like to see it, and it will he hers. And we are honored that you're here, and it's a great tribute to you. And all Americans are deeply grateful for your many, many contributions, Martha.

Miss GRAHAM. Mr. President and my dear, very dear Betty, this is an overwhelming moment, and there is very little to say even if you have an Irish tongue that my grandmother said was hung in the middle. [Laughter]

It's a little difficult for me to talk on such an occasion, but America has stood with me. I did not leave; I did not go to any country until I felt I had something to say from here, and there is one woman here tonight who gave me my first chance. She signed a conote. She was a comaker on a bank, the National City Bank. Her name is Frances Steloff.

I had to have two comakers, and then I paid it off. And it was $1,000, and it was a tremendous amount of money. And then, about 2 years later, I had only one comaker. Then I didn't have to have any. And then, finally when I didn't borrow any more, they came and asked me why I didn't borrow. [Laughter]

But when the President said this lady had said, "How long will you keep this up, Martha?"--it is dreadful, dreadful. She had seen me in Denis-Shawn1 during the floating period. And I am deeply grateful to that period, but time does not stand still. She said this to me. I said, "I will keep it up as long as I have an audience."

1 Ruth St. Denis and Ted Shawn, American dancers and choreographers.

I am dependent on those people to support me, and I can only say that they have, individually and my Government. And I am so happy about your news tonight and your endowment of the arts, because there is a saying in Asia, "They had no poet so they died." In other words, the city, the country had no one to sing or to dance their imagination and their dreams and their faith, so they disappeared from the memory of man.

And I like to feel that those of us who are dancers have contributed toward a singing voice that will go on for a long time, and this is the first wonderful big step, and I thank you.

THE PRESIDENT. May I offer a toast on behalf of Betty and myself to our superstar and a person that truly deserves the Medal of Freedom--Martha Graham.

Note: The President spoke at 10:13 p.m. at a ceremony in the State Dining Room at the White House.
































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JOURNAL ARCHIVE: August 9, 2006


I leapt into the air, did a something like a somersault, but not the backflip, rather the other....what do you call that? It wouldn't be a backflip....but something like a side-flip....I'll have to look that up.


[JOURNAL ARCHIVE 09 August 2006 excerpt ends]










http://www.oocities.org/elzj78/bsgminiseries.html


BATTLESTAR GALACTICA: Miniseries (2003)


Chief: Hey, hey, hey, hey! Take it easy, guys, just slow down!

Adama: We don't know much more than that. It's just imperative that we get our equipment and get out of here. What's in there?

Leoben: Stuff.

Adama: Light. (gets a flashlight from one of the men) Where's your spaceship?

Leoben: Docked on the other side of the station.

Chief: Careful, don't stack 'em so high!

Leoben: Okay, those warheads over there? Here's the deal. They would have brought a nice price on the open market.

Adama: So you're an arms dealer, huh?

Leoben: People have a right to defend themselves, I just supply the means.

Adama: You don't look too good.



































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http://www.oocities.org/elzj78/bsgminiseries.html


BATTLESTAR GALACTICA: Miniseries (2003)


Helo: That's as close as you get, now just settle down. Settle down, and no one gets hurt.

Man: I have to get on board. I'll give you fifty thousand. (Other people yell similar things.)

Helo: We're not taking money. This isn't a rescue ship, this is a military vessel, and we're not taking money.

People: You can't just leave us here! What about the children? (Man approaches, Boomer fires into the air.)

Boomer: All right, all right. Children first. Children. (The children go up.) All right, we can take three more people.

Helo: That's the maximum load if we're gonna break orbit.

Man: Who chooses the three, you?

Boomer: No one chooses. No one. Lottery. Everyone gets a number. Put the numbers in a box, take out three. That's it, no arguing, no appeal.

Helo: And I will shoot the first person who tries to board before then.

Boomer: Helo, get your flight manual, tear out the pages.










http://www.tv.com/shows/the-simpsons/treehouse-of-horror-vi-1419/trivia/

tv.com


The Simpsons Season 7 Episode 6

Treehouse of Horror VI

Aired Sunday 8:00 PM Oct 29, 1995 on FOX

Quotes


Homer: Oh, there's so much I don't know about astrophysics.










http://www.imdb.com/name/nm0671886/bio

IMDb


Tahmoh Penikett

Biography

Date of Birth 20 May 1975, Whitehorse, Yukon, Canada










http://www.oocities.org/elzj78/bsgminiseries.html


BATTLESTAR GALACTICA: Miniseries (2003)


Helo: I think you better go. (to the crowd) Stay back. Stay back! It's over, it's over.

(Baltar sees Six in the crowd - he looks again and she's gone.)

(Boomer starts to take off. A man climbs onto the side of the ship and Helo shoots him. He and Boomer wave at each other as she leaves.)



- posted by H.V.O.M - Kerry Wayne Burgess 4:25 PM Pacific Time Spokane Valley Washington USA Sunday 01 May 2016