The Inner Light

http://www.springfieldspringfield.co.uk/movie_script.php?movie=johnny-belinda

Springfield! Springfield!


Johnny Belinda (1948)


Belinda. How are you?
Are you cross with me
for not coming to see you?
Well, you see, I couldn't.
Many men and women
suddenly decided to be sick...
at the same time.
Would you like to study your lesson now?
All right, no lesson.
Belinda, if you could only hear me.
You think I don't know what it means
being lonely like you are?
I've been lonely myself,
even when I was a child.
Already then I wanted to be a doctor.
I thought that helping others
might help me. It did somehow.
Then all those other things happened.
The war and all that came after.
Made me lose faith in everything.
In myself, too.
Belinda.
Belinda, you must help me.










http://www.gameskidsplay.net/who_is_it/picking_it.htm


Some of the rhymes were:


One potato, two potato, three potato, four.

Five potato, six potato, seven potato, more.


or

Eenie, meenie, meinie, moe

Catch a tiger by the toe

If he hollers make him pay

Fifty dollars everyday

My mother told me to choose the very best one, and you are not IT.










http://www.tv.com/shows/stitchers/stitcher-in-the-rye-3081212/

tv.com


Stitchers Season 1 Episode 5

Stitcher in the Rye

Aired Tuesday 9:00 PM Jun 30, 2015 on ABC Family

AIRED: 6/30/15



http://www.springfieldspringfield.co.uk/view_episode_scripts.php?tv-show=stitchers-2015&episode=s01e05

Springfield! Springfield!


Stitchers

Stitcher in the Rye


What's going on? You said to tell you if something was weird in the stitch.
What happened? You feeling okay? What is it? Yeah, I'm fine.
I'm fine.
It's just I'm seeing stuff that doesn't make sense.
That's the nature of what we do.










http://www.springfieldspringfield.co.uk/view_episode_scripts.php?tv-show=stitchers-2015&episode=s01e05

Springfield! Springfield!


Stitchers

Stitcher in the Rye


You're experiencing Justin's general distrust of everything.
Give me your phone, Dr.
Smartypants.
Dr.
Smartypants.
That's the best you can do? I don't mock the stupid names you call me.
They're terms of endearment, Dopey.
And B.
T.
W.
, that wasn't one of them.
That was an insult because you are being Dopey.
I get it.
Ouch.
Phone.
- What are you doing? - Checking tracking location to see where you were at 6:57 A.
M.
two days ago when the stitchers information was handed off to Justin.
- I disabled the app.
- Not well enough.










http://gateworld.net/atlantis/s2/transcripts/209.shtml

GateWorld


STARGATE ATLANTIS

AURORA

EPISODE NUMBER - 209

DVD DISC - Season 2, Disc 3

ORIGINAL U.S. AIR DATE - 09.23.05


CALDWELL: This has been going on for ten thousand years?

McKAY: Possibly. It was a way of keeping their minds occupied










http://www.chakoteya.net/NextGen/225.htm

The Inner Light [ Star Trek: The Next Generation ]

Stardate: 45944.1

Original Airdate: 1 Jun, 1992


WORF: Sir, I am detecting a low-level nucleonic beam coming from the probe.

RIKER: Shields up. Stand by phasers.

DATA: The beam is scanning the shield's perimeter. The probe is emitting an unusual particle stream.

WORF: Sir, the beam is penetrating our shields.

PICARD: Increase power to

(Picard twitches, staggers, and is caught by Riker who lowers him to the floor)

RIKER: Captain? Captain, I've got you. It's all

[Living room]

(suddenly Riker's face is replaced by a woman's)

ELINE: Well. finally. How are you feeling? Kamin, can you answer me?

PICARD: What is this place?

ELINE: You're still feverish.

PICARD: Computer, freeze programme. Computer, end programme.

ELINE: Kamin.

PICARD: Picard to Enterprise.

ELINE: Kamin, please don't get up yet. You're still not well.

PICARD: I asked you, what is this place?

ELINE: This is your home, of course.










JOURNAL ARCHIVE: From: Kerry Burgess

Sent: Monday, June 12, 2006 4:58 PM

To: Kerry Burgess

Subject: Journal June 12, 2006, Supplemental

There must be some reason to these thoughts I was having awhile back about the opening scenes to the upcoming movie HALO. I was thinking of how the story goes behind the military person that inspired Master Chief. It begins with the real MCPO arriving at his post on some planet. It is an isolated post in some kind of wasteland, desert, mountainous region. He arrives, talks with a few people, walks around. The structure is some kind of pre-fab building with a lot of walkways and observation positions, a lot of defensive positions. You can hear the clanking of deckplates and gratings as people walk around. MCPO finds a place to sit down his gear and look out over the land. He places a photo of an attractive blond woman, a weather forecaster, on a ledge in front of him and wistfully remembers better times. After awhile, he is sent on some kind of recon mission and climbs into an aircraft that is sitting on a landing pad a few levels above the other troops. The aircraft is some kind of advanced vtol craft and you can see some similarities in the window structure to a Seahawk helo. as MCPO pilots the craft up and starts moving out, he sees a large threatening group of one of the planets native species approaching. They move in a long, herd-like stream and he can tell that at their speed, they will definitely over-run the station. He immediately lands back on the pad and runs, with deckplates clanking, but leaving his weapon in the aircraft, and runs down to the main level and jumps over the ledge to the ground. He grabbed a couple of flares on the way out and starts trying to distract the herd towards him and away from the station. They are large cow-sized rat-looking creatures, that are fast, but at his peak speed, he can out run them but he isn't sure if they have greater endurance. He runs out and away for a while and then runs into a cave system that turns into a maze. He has some near-misses from the lead rats, but he manages to leap up onto a ledge and run in another direction although they manage to keep following him. He finds his way out of the cave and sees the station in the distance, thankfully he has bought them enough time to bring all the defenses online and there is a pretty chance they will be able to fight off the herd. As he run towards the safety of the station, he finds himself with one leg hanging over the ledge of a deep gorge, having almost run over the edge. He turns around that the herd is running flat out lemming-style towards him. He curses the rat-bastards just as the first one slams into him and drives him over the ledge along with all of them to their death a thousand feet below. Later, a group of marines venture out to dig him out from under that carcasses of the rats. One makes an off-hand comment about how he thought MCPO was invincible. The scene moves around MCPO as he is lying on the ground and you see a similarity in the shape of his helmet to the look of Master Chief in Halo. Then, the scene changes to the construction of Master Chief. I don't know what MC is constructed of, but if his smallest compenent are nuts and bolts, that is how this scene begins, of his smallest components being brought together through an automated process of construction. The musical theme is some form of classical music but I don't know of any work that would fit. It should match the crude start of his contruction and them progress into some form of elegant theme, an artful dance. After MC is finished, he steps out of the construction chamber, the perspective changes to show that 11 other cyborgs, whatever they are, were being constructed at the same time. As the music score dramatizes the movements, they all step out, then the focus returns to MC. He turns his head to look into the camera and says "I need a weapon." Later, it is revealed that the camera recording all this construction of the cyborgs was actually one of the bad guys recording it all, a spy that had snuck in to the construction facility. The is a subtle difference to the scenes that can later be recognized as being seen through the eyes, or ocular devices, whatever, of the bad guy. It is only later that it is revealed that they special scenes were being seen by the bad guy and that you realize there were earlier scenes where he was watching. The scene changes to some military office. A company officer, I think that would be considered a Major, wants to see an Admiral. The Major appears to have just come from a battle or something, he has mud on him and his uniform isn't really presentable. He is arriving after enduring 12 hours of being trapped in an overcrowded, dark bunker with a blistering, fierce mortar barrage from the enemy outside trying to break the bunker and then he is on a transport, some kind of windowless conveyance that is also overcrowded and hot and filled with the maddening and endless quietly blaring Muzac while the civilians around him are blathering on with moronic idiotic conversations that he can't help but overhear no matter how much he wants to tune them out and there is a communication panel where he wants to send a message to his family because he can't remember the last time he talked to any of them but some moron is doing something moronic on it. He eventually barges into the Admiral's office and the scene is reminiscent in certain artistic elements to an ancient Admirality environment, that type of environment that reminds me of HMS Pinafore, although I don't think I haven't actually seen that play. The Admiral and someone else are sitting around in some kind of stuffy, formal meeting, maybe even sipping tea with their pinky fingers extended, that seems to be a waste of time to the Major. He is frustrated because he lost several men in some kind of battle earlier. The Admiral doesn't want to be lectured because, as he points out to a machine across the room that is stamping his signature on death notices for next-of-kin, he is well aware of the loss.


[JOURNAL ARCHIVE 12 June 2006 excerpt ends]










http://www.springfieldspringfield.co.uk/movie_script.php?movie=johnny-belinda

Springfield! Springfield!


Johnny Belinda (1948)


Now, Mac, you've got to listen to me.
I understand how you feel
and I don't blame you...
but believe me,
it's blotted out of her mind.
The way you forget a nightmare...
because you don't wanna bring back
that terrible fear.
I've seen it in the war.
It's nature throwing up a barrier
to prevent something worse.
I don't know what you're talking about.
-I've got to find the man.
-What good will that do her?
I'll lay what he done
before the men of the village.
We'll show him what justice is.



- posted by H.V.O.M - Kerry Wayne Burgess 04:55 AM Pacific Time Spokane Valley Washington USA Friday 03 July 2015