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Imdb.com database file: "Saved" (2006) {A Day in the Life (#1.1)} USA: 12 June 2006
from my private journal, as me, Kerry Burgess, typed while sitting in a grungy two-computer room in a homeless shelter on the waterfront in downtown Seattle:
From: Kerry Burgess
Sent: Monday, June 12, 2006 4:58 PM
To: Kerry Burgess
Subject: Journal June 12, 2006, Supplemental
There must be some reason to these thoughts [ , I think now having just awoken from sleep, ] I was having awhile back about the opening scenes to the upcoming movie HALO. I was thinking of how the story goes behind the military person that inspired Master Chief. It begins with the real MCPO arriving at his post on some planet. It is an isolated post in some kind of wasteland, desert, mountainous region. He arrives, talks with a few people, walks around. The structure is some kind of pre-fab building with a lot of walkways and observation positions, a lot of defensive positions. You can hear the clanking of deckplates and gratings as people walk around. MCPO finds a place to sit down his gear and look out over the land. He places a photo of an attractive blond woman, a weather forecaster, on a ledge in front of him and wistfully remembers better times. After awhile, he is sent on some kind of recon mission and climbs into an aircraft that is sitting on a landing pad a few levels above the other troops. The aircraft is some kind of advanced vtol craft and you can see some similarities in the window structure to a Seahawk helo. as MCPO pilots the craft up and starts moving out, he sees a large threatening group of one of the planets native species approaching. They move in a long, herd-like stream and he can tell that at their speed, they will definitely over-run the station. He immediately lands back on the pad and runs, with deckplates clanking, but leaving his weapon in the aircraft, and runs down to the main level and jumps over the ledge to the ground. He grabbed a couple of flares on the way out and starts trying to distract the herd towards him and away from the station. They are large cow-sized rat-looking creatures, that are fast, but at his peak speed, he can out run them but he isn't sure if they have greater endurance. He runs out and away for a while and then runs into a cave system that turns into a maze. He has some near-misses from the lead rats, but he manages to leap up onto a ledge and run in another direction although they manage to keep following him. He finds his way out of the cave and sees the station in the distance, thankfully he has bought them enough time to bring all the defenses online and there is a pretty chance they will be able to fight off the herd. As he run towards the safety of the station, he finds himself with one leg hanging over the ledge of a deep gorge, having almost run over the edge. He turns around that the herd is running flat out lemming-style towards him. He curses the rat-bastards just as the first one slams into him and drives him over the ledge along with all of them to their death a thousand feet below. Later, a group of marines venture out to dig him out from under that carcasses of the rats. One makes an off-hand comment about how he thought MCPO was invincible. The scene moves around MCPO as he is lying on the ground and you see a similarity in the shape of his helmet to the look of Master Chief in Halo. Then, the scene changes to the construction of Master Chief. I don't know what MC is constructed of, but if his smallest compenent are nuts and bolts, that is how this scene begins, of his smallest components being brought together through an automated process of construction. The musical theme is some form of classical music but I don't know of any work that would fit. It should match the crude start of his contruction and them progress into some form of elegant theme, an artful dance. After MC is finished, he steps out of the construction chamber, the perspective changes to show that 11 other cyborgs, whatever they are, were being constructed at the same time. As the music score dramatizes the movements, they all step out, then the focus returns to MC. He turns his head to look into the camera and says "I need a weapon." Later, it is revealed that the camera recording all this construction of the cyborgs was actually one of the bad guys recording it all, a spy that had snuck in to the construction facility. The is a subtle difference to the scenes that can later be recognized as being seen through the eyes, or ocular devices, whatever, of the bad guy. It is only later that it is revealed that they special scenes were being seen by the bad guy and that you realize there were earlier scenes where he was watching. The scene changes to some military office. A company officer, I think that would be considered a Major, wants to see an Admiral. The Major appears to have just come from a battle or something, he has mud on him and his uniform isn't really presentable. He is arriving after enduring 12 hours of being trapped in an overcrowded, dark bunker with a blistering, fierce mortar barrage from the enemy outside trying to break the bunker and then he is on a transport, some kind of windowless conveyance that is also overcrowded and hot and filled with the maddening and endless quietly blaring Muzac while the civilians around him are blathering on with moronic idiotic conversations that he can't help but overhear no matter how much he wants to tune them out and there is a communication panel where he wants to send a message to his family because he can't remember the last time he talked to any of them but some moron is doing something moronic on it. He eventually barges into the Admiral's office and the scene is reminiscent in certain artistic elements to an ancient Admirality environment, that type of environment that reminds me of HMS Pinafore, although I don't think I haven't actually seen that play. The Admiral and someone else are sitting around in some kind of stuffy, formal meeting, maybe even sipping tea with their pinky fingers extended, that seems to be a waste of time to the Major. He is frustrated because he lost several men in some kind of battle earlier. The Admiral doesn't want to be lectured because, as he points out to a machine across the room that is stamping his signature on death notices for next-of-kin, he is well aware of the loss.
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https://www.presidency.ucsb.edu/documents/spokane-washington-remarks-dedication-ceremonies-for-riverfront-park
The American Presidency Project
JIMMY CARTER
39th President of the United States: 1977 - 1981
Spokane, Washington Remarks at Dedication Ceremonies for Riverfront Park.
May 05, 1978
- posted by Kerry Burgess 9:28 PM Pacific Time Spokane Valley Washington USA Wednesday 11/06/2019
