JOURNAL ARCHIVE: JOURNAL ARCHIVE: From: Kerry Burgess
To: Kerry Burgess
Sent: Sat, February 11, 2006 7:19:45 PM
Subject: a world for him
It rained. The procession of weary soldiers became a bedraggled train, despondent and muttering, marching with churning effort in a trough of liquid brown mud under a low, wretched sky. Yet the youth smiled, for he saw that the world was a world for him, though many discovered it to be made of oaths and walking sticks. He had rid himself of the red sickness of battle. The sultry nightmare was in the past. He had been an animal blistered and sweating in the heat and pain of war. He turned now with a lover's thirst to images of tranquil skies, fresh meadows, cool brooks--an existence of soft and eternal peace.
Over the river a golden ray of sun came through the hosts of leaden rain clouds.
THE END.
http://www.online-literature.com/crane/redbadge/25/
[JOURNAL ARCHIVE 11 February 2006 excerpt ends]
[ Bill Gates-Microsoft-Corbis-Nazi the cowardly International Terrorist Organization violently against the United States of America actively instigate insurrection and subversive activity against the United States of America with all Bill Gates-Microsoft-Corbis-Nazi staff partners contributors employees contractors lawyers managers of any capacity as severely treasonous criminal accomplices and that are active unlawful obstructions, combinations, or assemblages, or rebellion against the authority of the United States that actively make it impracticable to enforce the laws of the United States in the United States and in the Severely Treasonous and Criminally Rebellious State of Washington by the ordinary course of judicial proceedings ]
http://www.e-reading.org.ua/bookreader.php/80261/King_-_The_Stand.html
Stephen King
The Stand - The Complete & Uncut Edition [ RACKETEER INFLUENCED AND CORRUPT ORGANIZATIONS US Title 18 ]
“Well, I want to get back,” Bateman said briskly. “I’m halfway drunk already, and I believe there will be thundershowers this afternoon.” He walked to the back of the clearing and rummaged there. A few moments later he came back with a wheelbarrow. He screwed the piano stool down to its lowest elevation, put it in, added his palette, the picnic cooler, and balanced precariously on top of everything else, his mediocre painting.
“You wheeled that all the way out here?” Stu asked.
“I wheeled it until I saw something I wanted to paint. I go different ways on different days. It’s good exercise. If you’re going east, why don’t you come back to Woodsville and spend the night at my house? We can take turns wheeling the barrow, and I’ve got yet another six-pack of beer cooling in yonder stream. That ought to get us home in style.”
“I accept,” Stu said.
“Good man. I’ll probably talk all the way home. You are in the arms of the Garrulous Professor, East Texas. When I bore you, just tell me to shut up. I won’t be offended.”
“I like to listen,” Stu said.
“Then you are one of God’s chosen. Let’s go.”
So they walked on down 302, one of them wheeling the barrow while the other drank a beer. No matter which was which, Bateman talked, an endless monologue that jumped from topic to topic with hardly a pause. Kojak bounced alongside. Stu would listen for a while, then his thoughts would trail off for a while, following their own tangents, and then his mind would come back. He was disquieted by Bateman’s picture of a hundred little enclaves of people, some of them militaristic, living in a country where thousands of doomsday weapons had been left around like a child’s set of blocks. But oddly, the thing his mind kept returning to was Glen Bateman’s dream, the man with no face on top of the high building—or the cliff-edge—the man with the red eyes, his back to the setting sun, looking restlessly to the east.
He woke up sometime before midnight, bathed in sweat, afraid he had screamed. But in the next room, Glen Bateman’s breathing was slow and regular, undisturbed, and in the hallway he could see Kojak sleeping with his head on his paws. Everything was picked out in moonlight so bright it was surreal.
When he woke, Stu had been up on his elbows, and now he lowered himself back to the damp sheet and put an arm over his eyes, not wanting to remember the dream but helpless to avoid it.
He had been in Stovington again. Elder was dead. Everyone was dead. The place was an echoing tomb. He was the only one alive, and he couldn’t find the way out. At first he tried to control his panic. Walk, don’t run, he told himself over and over, but soon he would have to run. His stride was becoming quicker and quicker, and the urge to look back over his shoulder and make sure that it was only the echoes behind him was becoming insuperable.
He walked past closed office doors with names written in black on milky frosted glass. Past an overturned gurney. Past the body of a nurse with her white skirt rucked up to her thighs, her blackened, grimacing face staring at the cold white inverted icecube trays that were the ceiling fluorescents.
At last he began to run.
Faster, faster, the doors slipping by him and gone, his feet pounding on the linoleum. Orange arrows oozing on white cinderblock. Signs. At first they seemed right: RADIOLOGY and CORRIDOR B To LABS and DO NOT PROCEED BEYOND THIS POINT WITHOUT VALID PASS. And then he was in another part of the installation, a part he had never seen and had never been meant to see. The paint on these walls had begun to peel and flake. Some of the fluorescents were out; others buzzed like flies caught in a screen. Some of the frosted glass office windows were shattered, and through the stellated holes he had been able to see wreckage and bodies in terrible positions of pain. There was blood. These people had not died of the flu. These people had been murdered. Their bodies had sustained punctures and gunshot wounds and the grisly traumas which could only have been inflicted by blunt instruments. Their eyes bulged and stared.
He plunged down a stopped escalator and into a long dark tunnel lined with tile. At the other end there were more offices, but now the doors were painted dead black. The arrows were bright red. The fluorescents buzzed and flickered. The signs read THIS WAY TO COBALT URNS and LASER ARMORY and SIDEWINDER MISSILES and PLAGUE ROOM. Then, sobbing with relief, he saw an arrow pointing around a right-angled turn, and the single blessed word above it: EXIT.
He went around the corner and the door was standing open. Beyond it was the sweet, fragrant night. He plunged toward the door and then, stepping into it, blocking his way, was a man in jeans and a denim jacket. Stu skidded to a stop, a scream locked in his throat like rusty iron. As the man stepped into the glow of the flickering fluorescents, Stu saw that there was only a cold black shadow where his face should have been, a blackness punched by two soulless red eyes. No soul, but a sense of humor. There was that; a kind of dancing, lunatic glee.
The dark man put out his hands, and Stu saw that they were dripping blood.
“Heaven and earth,” the dark man whispered from that empty hole where his face should have been. “All of heaven and earth.”
Stu had awakened.
Now Kojak moaned and growled softly in the hall. His paws twitched in his sleep, and Stu supposed that even dogs dreamed. It was a perfectly natural thing, dreaming, even an occasional nightmare.
But it was a long time before he could get back to sleep.
