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http://www.azlyrics.com/lyrics/modestmouse/theworldatlarge.html
AZ
MODEST MOUSE
"The World At Large"
Well uh-uh baby I ain't got no plan.
We'll float on maybe would you understand?
Gonna float on maybe would you understand?
Well float on maybe would you understand?
The days get shorter and the nights get cold.
I like the autumn but this place is getting old.
I pack up my belongings and I head for the coast.
It might not be a lot but I feel like I'm making the most.
The days get longer and the nights smell green.
I guess it's not surprising but it's spring and I should leave.
I like songs about drifters - books about the same.
They both seem to make me feel a little less insane.
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http://www.azlyrics.com/m/modestmouse.html
AZ
MODEST MOUSE
album: "Good News For People Who Love Bad News" (2004)
http://www.azlyrics.com/lyrics/modestmouse/oceanbreathessalty.html
AZ
MODEST MOUSE
"Ocean Breathes Salty"
Your body may be gone, I'm gonna carry you in.
In my head, in my heart, in my soul.
And maybe we'll get lucky and we'll both live again.
Well I don't know. I don't know. I don't know. Don't think so.
Well that is that and this is this.
You tell me what you want and I'll tell you what you get.
You get away from me. You get away from me.
Collected my belongings and I left the jail.
Well thanks for the time, I needed to think a spell.
I had to think awhile. I had to think awhile.
The ocean breathes salty, won't you carry it in?
In your head, in your mouth, in your soul.
And maybe we'll get lucky and we'll both grow old.
Well I don't know. I don't know. I don't know. I hope so.
Well that is that and this is this.
You tell me what you want and I'll tell you what you get.
You get away from me. You get away from me.
Collected my belongings and I left the jail.
Well thanks for the time, I needed to think a spell.
I had to think awhile. I had to think awhile.
Well that is that and this is this.
Will you tell me what you saw and I'll tell you what you missed,
when the ocean met the sky.
[(You missed)]
You missed when time and life shook hands and said goodbye.
[(You missed)]
When the earth folded in on itself.
[(You missed)]
And said "Good luck, for your sake I hope heaven and hell
[(You missed)]
are really there, but I wouldn't hold my breath."
[(You missed)]
You wasted life, why wouldn't you waste death?
[(You missed)]
You wasted life, why wouldn't you waste death?
The ocean breathes salty, won't you carry it in?
In your head, in your mouth, in your soul.
The more we move ahead the more we're stuck in rewind.
Well I don't mind. I don't mind. How the hell could I mind?
Well that is that and this is this.
You tell me what you want and I'll tell you what you get.
You get away from me. You get away from me.
Well that is that and this is this.
Will you tell me what you saw and I'll tell you what you missed,
when the ocean met the sky.
[(You missed)]
You wasted life, why wouldn't you waste the afterlife?
http://www.chakoteya.net/movies/movie3.html
Star Trek III: The Search for Spock (1984)
[Enterprise bridge]
KIRK: Mister Sulu, take the con. I'll be in my quarters.
SULU: Aye sir.
TRAINEE FOSTER: Sir, ...I was wondering. ...Are they planning a ceremony when we get in? ...I mean, a reception?
KIRK: A hero's welcome, son? Is that what you'd like? ...Well, God knows, there should be. This time we paid for the party with our dearest blood.
JOURNAL ARCHIVE: Posted by H.V.O.M at 11:40 AM Sunday, January 02, 2011
Stampede Pass
I must have been lying in bed for over four hours last night and could not fall asleep for that much time and longer because I started thinking during the night last night that Stampede Pass is where I materialized after the L-1011 Stargazer spiraled down from over forty thousand feet after breaking into pieces and then crashed with such force that it virtually vaporized on contact with that ground. I started thinking of how that scene with "Picard" and his wife announcing that dinner was ready could be a detail I created to represent the details I read about the source of the name for Stampede Pass, as well as how "Kirk" mentions that he smell something burning in the kitchen. I thought over many details last night as I hoped to fall asleep and I was thinking of how the dialog with the statue in the 1996 film "Star Trek: First Contact" is about how after I understood that my aircraft was unflyable because, for one reason, a wing had just broken off due to impact with debris from the Pegasus rocket that had just exploded in front of my windshield, I was turned around part ways in my seat as the pilot and I had my had outreached to shake the hand of Kerry Burgess and I spoke that flying with had been an honor but the aircraft was spinning too fast for us to shake hands. When I materialized at Stampede Pass I felt as though I had materialized about one inch or two above the ground and I found myself standing there in the woods on that dirt road with absolutely no idea where I was and I was standing there with my hand still reaching out to shake his hand.
[JOURNAL ARCHIVE 02 January 2011 excerpt ends]
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http://www.orbital.com/SpaceLaunch/Pegasus/pegasus_history.shtml
Orbital
Pegasus
Pegasus Mission History
Flight # Launch Date Vehicle Payload Result
6 June 27, 1994 Pegasus XL STEP-1 Failure
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Pilot Movie 1: The Six Million Dollar Man - DVD video
07 March 1973
00:51:18
Steve Austin: Look, I will not work for the OSO, period!
Oliver Spencer: Why? Why? Because you had an experience this afternoon that made you feel a little like, oh, some kind of a Frankenstein monster, eh? And now you hold the OSO responsible for those feelings simply because we gave you those two legs and that arm and that eye to see out of? That what you're talking about, eh? That's what you're feeling? Well, let's cut through this nonsense. We're pressed for time. If the OSO were an artillery outfit we would very simply pick up the telephone and call a foundry and have a cannon designed and built for us. We are not, however, an artillery outfit. We do need a different kind of weapon. A weapon that is potentially far more destructive than a cannon. It must be mobile and self-propelled in the field, under any circumstances over any terrain. It must be able to reprogram itself in the field on the basis of new information and altered circumstances. It must have superior strength, stability, and utter dependability. Now those were our specifications.
Steve Austin: And I'm the result.
Oliver Spencer: You are the result.
Steve Austin: One robot.
Oliver Spencer: No, actually, we would've preferred a robot. A robot doesn't have emotional needs and responses. You do. We have you because you are the optimum compromise in the present state of technology, Mr. Austin. A cybernetic organism. Part machine, part human being. The cyborg. Yes, we've had to settle for that.
Steve Austin: [ with his natural left-hand violently back-hand slaps the crap out of Oliver Spencer ]
Oliver Spencer: Mr. Austin. We didn't order you into the lifting body you were testing. We didn't order it crashed. We merely picked up the pieces and unlike Humpty Dumpty put you back together again. In some ways I think even better than before.
Steve Austin: If only these feelings of mine wouldn't keep getting in the way, right?
Oliver Spencer: Yeah, something like that.
Steve Austin: You know, you're more of a robot than I am.
http://www.chron.com/CDA/archives/archive.mpl?id=1994_1236513
chron Houston Chronicle Archives
Houston Chronicle News Services
FRI 11/04/1994 HOUSTON CHRONICLE
On Thursday, in an interview on the CBS News program "This Morning," Smith said that she had agreed to let the authorities search her home on Wednesday but that she did not know what they were looking for.
With her husband by her side for the interview, she denied knowing anything about the whereabouts of their two sons.
"I did not have anything to do with the abduction of my children," Smith said in the interview.
"I don't think that any parent could love my children more than I do, and I would never even think about doing anything that would harm them," she added. "It's really painful to have the finger pointed at you when it's your children involved."
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http://www.trutv.com/library/crime/notorious_murders/famous/smith/trial_9.html
tru TV
By Rachel Pergament
The Trial
On the evening that Susan was arrested, Bev and Linda Russell hired David Bruck, a Columbia, South Carolina attorney
http://www.divxmoviesenglishsubtitles.com/D/Dark_Blue.html
Dark Blue
"You care more about the people you hate.
"I guess you're still trying to be your father."
What?
"You'll find out anyway, so I'm telling you now.
"I met a man at the jail.
"But don't start beating up every deputy you see...
"because he's not a cop...
and he's not an inmate, either."
"He's a lawyer."
-"A defense lawyer." -Oh, that's good.
A fucking defense lawyer. That's just...
Sal, come on, man. This is...
Fuck it, man. Whatever.
Get back in here!
You wanted me to read it...
you're going to listen to me read it!
"We're going to try and start a new life together.
"And I say try because I have no idea...
"what a healthy relationship looks like."
"I know this seems abrupt...
"unless you're good at reading signals...
"which you're not."
http://www.azlyrics.com/lyrics/modestmouse/oceanbreathessalty.html
AZ
MODEST MOUSE
"Ocean Breathes Salty"
Well that is that and this is this.
You tell me what you want and I'll tell you what you get.
You get away from me. You get away from me.
http://community.seattletimes.nwsource.com/archive/?date=19950728&slug=2133742
The Seattle Times
Friday, July 28, 1995
Vastly Different Pictures Painted Of Susan Smith
By Jesse J. Holland
AP
UNION, S.C. - Life in prison with the memories of her two drowned boys is torment enough for Susan Smith, her lawyer told jurors today, after a prosecutor portrayed her as a selfish, manipulative killer who should be executed.
"You have a choice, and you can make a better choice than what she made," defense lawyer David Bruck told jurors during closing arguments in the sentencing phase of the trial.
Holding a Bible in front of jurors and recalling a passage, Bruck said: "He that is without sin among you, let him first cast a stone
http://www.snpp.com/episodes/4F01.html
Lisa's Date With Density
Original Airdate in U.S.: 15-Dec-96
Back in class, the note is passed to Nelson.
Nelson: [reading] "Guess who likes you." [turns around]
[Milhouse wiggles his fingers at him]
-- That won't help, "Lisa's Date With Density"
Next thing he knows, Milhouse is rushed out the school on a gurney, his glasses wrecked and his nose leaking a stream of blood.
Lisa: Milhouse, I'm so sorry!
Paramedic: He can't hear you now. We had to pack his ears with gauze.
http://movie.subtitlr.com/subtitle/show/247553
A Beautiful Mind (2001)
ROSEN: [Faintly] John?
Can you hear me?
Go easy now.
Thorazine takes a little while to wear off.
Sorry about the restraints.
You've got one hell of a right hook.
http://lostpedia.wikia.com/wiki/Walkabout_transcript
LOSTPEDIA
Episode 4 - "Walkabout" [ Episode 4 Season 1 - 13 October 2004 ]
Act 4
[Flashback - Locke is in his bed in a studio apartment talking on the phone.]
LOCKE: I have never felt so alive. Getting to finally tell Randy off was... life changing. I mean it, now I'm free to do all those things I ever wanted to do. Things that I know I was destined to do, like we talked about Helen.
HELEN: That's wonderful John. I'm happy for you, really.
- posted by H.V.O.M - Kerry Wayne Burgess 04:20 AM Pacific Time Spokane Valley Washington USA Saturday 23 April 2016
